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Gallery Updates:, Public Events ♦ February 24, 2020

Leonardo DiCaprio surprised the audience at the 2020 American Black Film Festival on Sunday night when he emerged onstage to present the excellence in the arts award to his friend and “Django Unchained” co-star Jaime Foxx.

“I love you, man,” Foxx told DiCaprio after opening his speech reminiscing over their working relationship and friendship. “You are my friend and my colleague and this means the world.” Foxx’s latest film, “Just Mercy,” was also awarded the ceremony’s movie of the year award.

The annual ceremony, held at the Beverly Hilton hotel and hosted by actor and comedian Deon Cole, was created to celebrate and uplift black actors, entertainers and artists — enduringly relevant in a year when no actors of color were nominated at the BAFTAS and just one, Cynthia Erivo, was nominated for an Oscar.

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Events in 2020 – American Black Film Festival Honors Awards Ceremony – Inside

Appearances & Public Events – Events in 2020 – February 23: American Black Film Festival Honors Awards Ceremony – Backstage

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Gallery Updates:, Public Events ♦ February 13, 2020

On Sunday (09), Leonardo DiCaprio attended the 92nd Annual Academy Awards at Hollywood and Highland in Los Angeles. Leo was nominated for the Best Actor but Joachim Phoenix took the award.

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Appearances & Public Events – Events in 2020 – February 09: 92nd Annual Academy Awards at Hollywood and Highland in LA – Inside

Appearances & Public Events – Events in 2020 – February 09: 92nd Annual Academy Awards at Hollywood and Highland in LA – Arrivals

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Gallery Updates:, Public Events ♦ January 29, 2020

Leonardo DiCaprio and Brad Pitt step out for the annual luncheon in celebration of the 92nd Oscars in Hollywood on Monday afternoon (January 27).

The two nominated actors were joined by their Once Upon a Time in Hollywood director, Quentin Tarantino.

Other stars and directors in attendance were The Two Popes‘ Jonathan PryceThe Irishman‘s Robert De NiroParasite‘s Bong Joon-HoJoker‘s Todd Phillips, and Jojo Rabbit‘s Taika Waititi.

1917‘s Sam MendesDean-Charles Chapman, and George Mackay were also spotted inside the venue with Knives Out‘s Rian Johnson.

The 2020 Oscars will take place on Sunday, February 9.

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Appearances & Public Events – Events in 2020 – January 27: 2nd Oscars Nominees Luncheon in Hollywood, California

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”I swear to God, I had to hide a tear,” Brad Pitt says, looking over at Quentin Tarantino and Leonardo DiCaprio, remembering the first time Tarantino played him the José Feliciano cover of “California Dreamin’” on the set of “Once Upon a Time … in Hollywood.” “Look,” Pitt continues. “I’m not ashamed to say it. I got a little misty.”

We’ve settled onto a couple of sofas inside a bungalow at the Chateau Marmont because … where else would we meet to talk about Tarantino’s wistful elegy to a bygone Hollywood? As the song declares, it’s a winter’s day, though the (palm tree) leaves are green, not brown, and the sun setting just beyond the swimming pool is making the sky periwinkle blue, not a dismal gray.

But otherwise, yeah, we’re California dreamin’, sitting back, talking about a movie that earned 10 Oscar nominations — three for Tarantino as a director, writer and producer, and acting nods for DiCaprio and Pitt — and also considering the good fortune that has graced their lives over the last few decades.

“You know, when I first moved out here, it was the summer of ’86 and I didn’t know [expletive]-all about Los Angeles, other than what I’d seen on ‘The Beverly Hillbillies’ and ‘Dragnet,’” Pitt says. “I landed in Burbank at a house I could crash at for a month or so. It was just me and a maid from Thailand who couldn’t speak English. Man, I was just so up for the adventure, and so excited when I’d drive by a studio where they make movies. It meant the world to me.”

“Then I moved and it was one of those eight guys in a two-bedroom apartment in North Hollywood kind of things,” Pitt continues, smiling at the memory. “You have your little corner where you keep your clothes folded up in a little bedroll. I became quite accustomed to McDonald’s and Shakey’s Pizza buffet. I didn’t mind. The city was a wide-open experience.”

Pitt presses Tarantino to tell tales of living in his car, writing scripts. “Which part of town?” he asks. Tarantino evades the queries for a bit, then relents. “It was at the back of Video Archives,” Tarantino says, talking about the Manhattan Beach video store where he worked in the ‘80s, turning customers on to kung fu and blaxploitation movies while writing “Reservoir Dogs.” And, yes, he slept in his car, a Ford Capri, around back in the parking lot.

“You’re not stretching out in a Ford Capri, are you?” Pitt asks, laughing.

DiCaprio’s parents moved to L.A. at the behest of his mom, who spied a Venice Beach postcard while living in the Bronx and thought, “This is where I want to move.” They settled east of Hollywood. Tarantino can picture the precise location because the apartment was right by the pool hall where Martin Scorsese shot the interiors for his 1973 drama “Mean Streets.”

“Hollywood and Western,” DiCaprio says, pinpointing the cross streets. “Then we moved to Silver Lake and it was me bugging my parents on the commute to go to school on the Westside to please, please, please drop me off at auditions. But I kept getting rejected by agents. I think because I was a break dancer at the time and had crazy haircuts …”

Pitt interrupts with a burst of laughter. “You were a break dancer? There’s got to be video somewhere.” DiCaprio cops to owning a little footage. “Oh, my God,” Pitt says. “VHS of course. I’ve got to see it. We need a movie night.”

“But that rejection,” DiCaprio continues, “it was like, even though I lived in the mecca of this dream land that was the movie industry, it felt like this intangible world where I needed a fairy godmother to come down and say, ‘You are anointed as an actor.’”

“Once Upon a Time … in Hollywood” considers the idea of which actors become blessed and the others who remain on the periphery, as well as the insecurities inherent in the profession and the value in simply being a working actor making a living. It’s a couple of days in the lives of a fading TV western star named Rick Dalton (DiCaprio) trying to forge a career in a changing Hollywood and his loyal, longtime stunt double, Cliff Booth (Pitt), a good friend and possible scoundrel who, rumor has it, killed his wife. There’s no plot, just the dark shadow of history lurking around the edges. Rick lives in Benedict Canyon on Cielo Drive. Roman Polanski and his wife, Sharon Tate, are renting the house next door.

Pitt and particularly DiCaprio were single-minded in their determination to make a go of it as actors. They succeeded, but they know it could easily have turned out differently. Tarantino loves to pepper Pitt with questions about his early acting career, a drill that seems both a quest for knowledge and an exercise that he knows will end only in frustration.

“I want him to be more excited about it than he is because I get excited by it,” Tarantino says, warming up. “Like, I think it would have been [expletive] awesome in the ‘60s to guest on ‘The Man from U.N.C.L.E.’ and do a scene with David McCallum as Illya Kuryakin. That would have been cool. It would have been [expletive] awesome to do a ‘Baretta’ with Robert Blake. Or a ‘Kung Fu’ with David Carradine.

“And Brad did things like that. ‘You did a “Dallas”? Did you do a scene with J.R.?’ ‘I don’t remember.’ ‘YOU DON’T REMEMBER IF YOU HAD A SCENE WITH J.R.?!?’” Pitt, seated next to Tarantino, wearing a parka because he’s feeling “toxic,” nearly lands on the floor, laughing. “‘I did a “21 Jump Street.” ‘Oh. Did you and Depp have a scene together?’ ‘I don’t remember.’ ‘YOU DO NOT REMEMBER IF YOU HAD A [EXPLETIVE] SCENE WITH JOHNNY DEPP ON “21 JUMP STREET”?’ He’s just being cool. ‘Yeah, whatever. I don’t remember any of that [expletive].’”

“It’s not that bad,” Pitt offers in his defense. “I was on three episodes of ‘Dallas’ and I think I had one line. And it was either ‘yes’ or ‘no.’ And that I cannot remember.” Tarantino adds that Pitt played Charlene Tilton’s boyfriend. Apparently he was the strong silent type.

The conversation circles back around to “California Dreamin’,” Feliciano’s haunting cover of the Mamas and the Papas song heard in “Once Upon a Time … in Hollywood” as Rick and Cliff drive home after a rather eventful day. Rick has gone through hell and back, shooting a guest spot on a TV pilot called “Lancer,” first trashing his trailer in a rage fueled by self-pity, doubt and a haze of whiskey sours and then recovering to later nail his big scene. Cliff has picked up a hippie hitchhiker, dropped her off at Spahn Ranch and then engaged in a showdown with Manson family members on the western town movie set.

“They both had these pretty insane days, and then we get in the car and I remember asking Quentin, ‘Should we talk about this?’” DiCaprio says. “And Quentin was like, ‘Just get in the car and drive.’ And it’s like this palate cleanser. And it’s also sincerely who these two guys were. We’re going home, get a pizza, drink some beer and watch me on ‘The FBI.’ That’s our therapy. And I have that relationship with some of my friends. ‘Let’s just sit and say nothing.’”

Pitt nods. “And then maybe three days later, Cliff would tell him what happened. Or he probably didn’t tell Rick because he’d get pissed off that he’d have to spend the 18 bucks to fix the flat tire. ‘What the [expletive] were you driving to Chatsworth for? Why is the mileage in my car so off?’”

Of all the lines in all the reviews written about “Once Upon a Time … in Hollywood,” the one that Tarantino cherishes relates to the film’s verisimilitude in re-creating a Los Angeles with half a century in its rear-view mirror.

“It was, ‘When Cliff drives through L.A. it was like Brad Pitt driving through a documentary,’” Tarantino remembers, laughing. “And, frankly, if you do a movie like this, that’s the thing you want to nail and really be proud of that. It’s like [Werner] Herzog. ‘Yeah, we really nailed the Amazon in ‘Fitzcarraldo.’ Well, we nailed Los Angeles.”

DiCaprio loves this comparison so deeply that he will repeat “we really nailed the Amazon” half a dozen times before we leave. It also triggers an idea, a sort of side hustle that he seems willing to bankroll.

“Do a ‘Once Upon a Time … in Hollywood’ tour and take on the TMZ buses that show up at our houses,” DiCaprio says. “We could make a lot of moolah and put them out of business.” Tarantino starts ticking off the possible locales — Westwood Village, Musso & Frank Grill, the landmark Mexican restaurants El Coyote and Casa Vega — noting that he recently went on a Vienna walking tour of spots used in Carol Reed’s 1946 film noir “The Third Man” and loved it. “Except for the rats in the sewers,” he adds. “They freaked me out.”

“But it needs to be done sooner than later,” DiCaprio adds. “There’s such a disposability to this town. We create this permanence in these movies and they get burned into celluloid and that’s what we live with. Everything else just evaporates and disappears. Los Angeles is constantly evolving and changing. That’s why movies like this are so engaging.”

At some point, unnoticed, Pitt has wrapped a knit scarf around his neck, though it’s not so much a scarf as a throw blanket. The sun has disappeared and it’s time to leave, embarking on journeys along Hollywood streets that can no longer be navigated with the ease that Cliff Booth employed in his Karmann Ghia.

“We’re all just passing through, doing the best we can in these movies,” Pitt says, offering an elbow bump as a departure greeting. “But this one, I would say it’s one of the few times where the experience is as special and unique as the final film. Like our life is as important as the final product. For me, that’s, ‘We’re livin.’”

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Photoshoots & Portraits – 2020 – LA Times

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Gallery Updates:, Public Events ♦ January 21, 2020

On January 19, Leonardo DiCaprio attended the 26th Annual Screen Actors Guild Awards at The Shrine Auditorium in Los Angeles.

Leo may not have won Best Actor at Screen Actors Guild Awards, but he was on many people’s minds.

Joaquin Phoenix and Brad Pitt both gave the actor a shout-out in their acceptance speeches.

Pitt also revealed that DiCaprio‘s nickname for him is ‘lover‘ as he walked the red carpet.

Following the star-studded awards ceremonythe duo danced the night away at the 26th SAG Awards Gala hosted by PEOPLE on Sunday night.

At the afterparty, the two actors were joined by their costar Margaret Qualley, 25, and her older sister, Rainey Qualley, 29, and the group enthusiastically danced and sang along to songs like the Fugees’ “Killing Me Softly,” Juvenile’s “Back That A– Up,” and Lizzo‘s “Truth Hurts.”

During one point of the night, Pitt, 56, sang the line “pick it up, pick it up, pick it up” in Fatman Scoop’s “Be Faithful,” while DiCaprio, 45, later belted along to Too Short’s “Blow the Whistle” and LL Cool J’s “Mama Said Knock You Out.”

The actors also mingled with Tarantino at their table, which was roped off from the rest of the gala and protected by additional security.

Thy also attended the Netflix after party.

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Appearances & Public Events – Events in 2020 – January 19: 26th Annual Screen Actors Guild Awards at The Shrine Auditorium – Arrivals

Appearances & Public Events – Events in 2020 – January 19: 26th Annual Screen Actors Guild Awards at The Shrine Auditorium – Show/Inside

Appearances & Public Events – Events in 2020 – January 19: 2020 Netflix SAG After Party at Sunset Tower in Los Angeles

Appearances & Public Events – Events in 2020 – January 19: 2020 PEOPLE SAG Awards Afterparty at the Shrine Auditorium & Expo Hall in Los Angeles

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Gallery Updates:, Public Events ♦ January 07, 2020

On Sunday (January 05, 2020) Leonardo DiCaprio alongside with the cast and director of “Once Upon A Time in Hollywood” attended the  77th Annual Golden Globe Awards that happened in Los Angeles. Leo was nominated but didn’t win.

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Appearances & Public Events – Events in 2020 – January 05: 77th Annual Golden Globe Awards – Arrivals

Appearances & Public Events – Events in 2020 – January 05: 77th Annual Golden Globe Awards – Cocktails

Appearances & Public Events – Events in 2020 – January 05: 77th Annual Golden Globe Awards – Press Room

Appearances & Public Events – Events in 2020 – January 05: 77th Annual Golden Globe Awards – Show

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Gallery Updates:, Public Events ♦ January 05, 2020

Awards season is about to hit fever pitch with the Golden Globes rolling out on Sunday, and this ritzy day event bills itself as ‘a respite from the hectic and demanding’ time for nominees and other stars.

Leonardo DiCaprio led the charge of stars at the BAFTA LA Tea Party, which took place Saturday at the Four Seasons Hotel in Beverly Hills.

He was joined by the likes of Saoirse Ronan and Isla Fisher, as well as Laura Dern and Gillian Anderson.

BAFTA, or the British Academy of Film and Television Arts, will announce its nominations for the 2020 EE British Academy Film Awards on Tuesday January 7th, with the awards ceremony itself to take place on Sunday, February 2nd.

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Appearances & Public Events – Events in 2020 – January 04: The BAFTA Los Angeles Tea Party at Four Seasons Hotel Los Angeles at Beverly Hills

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We’ve add ScreenCapturesStillsSpecial FeaturesBehind the Scenes and On Set pictures of Leonardo in Once Upon a Time in Hollywood (2019).

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Film Productions – Once Upon a Time in Hollywood (2019) – Film Screencaptures

Film Productions – Once Upon a Time in Hollywood (2019) – Promotional Pictures

Film Productions – Once Upon a Time in Hollywood (2019) – Production Stills

Film Productions – Once Upon a Time in Hollywood (2019) – Posters

Film Productions – Once Upon a Time in Hollywood (2019) – Behind the scenes

Film Productions – Once Upon a Time in Hollywood (2019) – Trailer #1

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Gallery Updates:, Public Events ♦ January 04, 2020

Leonardo DiCaprio catches up with old friends Brad Pitt and Bradley Cooper while attending the 2020 AFI Awards on Friday afternoon (January 3) in Los Angeles.

Brad and Leo are at the event to support their movie Once Upon a Time in Hollywood, which is being honored as one of the Top 10 Movies of the Year.

Also in attendance were their co-star Margaret Qualley and writer/director Quentin Tarantino.

BradLeo, and Quentin are all nominated for Golden Globes at this weekend’s ceremony and the film is also up for Best Picture.

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Appearances & Public Events – Events in 2020 – January 03: 20th Annual AFI Awards at Four Seasons Hotel Los Angeles at Beverly Hills

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Gallery Updates:, Public Events ♦ November 16, 2019

Leonardo DiCaprio attends the 14th Annual Santa Barbara International Film Festival honors Martin Scorsese with Kirk Douglas Award for Excellence in Film at The Ritz-Carlton Bacara on November 14, 2019 in Santa Barbara, California.

“One of the most remarkable things about Martin Scorsese — besides being one of our greatest filmmakers — is the generosity that he exudes to everybody on set, from his creative team to his crew and especially the actors that he works with. He treats each and every one of us as a real collaborator and that is not easily said. You can say you’re a collaborator but Marty truly wants to know what you have to say as an artist. These collaborations have been forged through the years. They’re strong, symbiotic relationships with Robert De Niro, Harvey Keitel, Joe Pesci, and dare I say myself. Through the years, these collaborations have become more like his alter egos, his muse, or more like his family.” Leonardo expressed during his speech

DiCaprio then recalled the day, nearly 20 years ago, when he first “had the honor of stepping foot” on a Scorsese set for Gangs“I was 25 years old and I remember through the mastery of Dante Ferretti I was walking around these sets, it was like a mass scale caravansary that had popped up. He created New York’s Five Points suddenly before my eyes all within the walls of the very historic Cinecitta Studios in Rome. I knew at that moment my life and my work would never be the same. Working with Marty became almost like an encapsulated ecosystem that vastly enhanced my knowledge and appreciation for cinema as an entire art form historically. He quickly became much more than a director, he became collaborator, a mentor, a friend and a guide through the history of our shared cinematic past.”

Leonardo then turned his attention to the present to open up on his reaction to Scorsese’s latest, The Irishman“With his latest film, Marty has once again reunited with some of his most iconic collaborators,” he said of the epic which casts Pesci, Keitel, Pacino and DeNiro, the latter of whom anchors the story as Frank Sheeran, a truck driver turned top hit man. “It plays like an elegy. It’s a movie about looking upon what you’ve left behind and squaring up with all of it, but for me, what’s more astounding about this film, in my mind, Marty transcends his own signature genre and creates a film that methodically transforms itself into an exploration of our very own universally shared mortality. The film is absolutely breathtaking.”

DiCaprio then said as a whole, Scorsese’s “body of work will be revered for centuries and generations to come.” With that, he welcomed to the stage the man of the evening.

Then Martin Scorsese made his way to Ritz-Carlton Bacara ballroom stage, got a kiss on the cheek from presenter Leonardo DiCaprio and took his place behind the podium. He opened up on how he first fell in love with film at five years old, how Leonardo DiCaprio gave him a “new lease on life,” and why the industry should ignore algorithms and business calculations. But first, it was all about Douglas.

“He really had a very profound influence on me,” Scorsese explained. He said how in the late 1940s and early 1950s, cinema was “very essential” to his life primarily because he had asthma and thus, he wasn’t allowed to run or play ball. “So, they put me in a room and they took me to the movies.”

At that time — post World War II — Scorsese said the “mood of the films being made and the kinds of pictures people wanted to see” was changing. So were the stars on screen.

“There was a whole group of post-war actors, but there was one in the group who really stood out. … It was Kirk Douglas,” he continued. “The thing about this guy is that you couldn’t pin him down.” Scorsese went on to back up his assertion by listing the range Douglas displayed as a gangster in Out of the Past, a fighter in Champion, as a cultured English teacher in A Letter to Three Wives, as a monster producer in The Bad and the Beautiful (its poster has hung on Scorsese’s wall for 30 years) and as a washed-up star in Two Weeks in Another Town.

He loved the latter two films so much that Scorsese said he and frequent collaborator Robert De Niro attempted to pull together remakes for years. “We were obsessed with these pictures,” he noted, explaining that they tried different writers like Richard Price and Paul Schrader. “Somehow it all developed and found its way into The Irishman. That, in a funny way, is our version of what Kirk, [Vicente Minnelli] and all those guys did.”

More about Douglas. Scorsese also name-checked his films The Vikings, Lust for Life, The Juggler, Spartacus, Strangers When We Meet and Man Without a Star. “The thing about Douglas was that he seemed to live in all these films, in all these worlds. You couldn’t pin him down. He brought this very special quality. He had a very strong intensity…a strong desire to not be constrained by any conventions and certainly not limitations of the script, I can tell you. He went deep, deep into the emotional core … and this, kind of set him apart from the others.”

A compliment that has long followed Scorsese — and used to set him apart from the others — is a fierce loyalty to frequent collaborators both behind and in front of the camera. He paid special attention in his speech to the most recognizable ones, De Niro and DiCaprio. Scorsese explained that with the former, whom he has known since they were about 16 years old, there’s “an incredible trust” that has developed after doing so many films together. Their collaborations include iconic films like Mean Streets, Taxi Driver, New York, New York, Raging Bull, The King of Comedy, Goodfellas, Cape Fear and Casino. Their latest is Netflix’s The Irishman, now in theaters, also stars Al Pacino.

Scorsese credited De Niro with introducing him to DiCaprio after the two actors made This Boy’s Life together in 1993. “He called me, he never does this, and said, ‘You gotta work with this kid, he’s really good.” So, they met up and it changed both of their lives thanks to creative partnerships on such films as Gangs of New York, The Aviator, The Departed, Shutter Island, The Wolf of Wall Street and the upcoming Killers of the Flower Moon.

“For the past 20 years, he’s given me as a filmmaker, creatively, a new lease on life. I can tell you that. Because I see the same kind of commitment in Leo that Kirk Douglas had. He was inspired in turn by Bob and Al’s generation who was inspired by Kirk’s generation.”

Martin Scorsese on Leonardo DiCaprio

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Appearances & Public Events – Events in 2019 – November 14: 14th Annual Santa Barbara Interna

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